Senin, 01 Oktober 2007

Berlin Art Fairs part 2

Of course, there was more to see than just emerging artists. I knew I could count on Rudolph Kicken to have a scintillating booth filled with a combination of stellar names and less-well-known artists. Of the first type, there were wonderful examples of New Objectivity school and an array of first class photos of Christer Strömholm. Also, I was taken by a beautiful and powerful photo by Ryuji Miyamoto.

Of the second type, there was a very large scale installation by the art couple Anna and Bernhard Blume. I was unfamiliar with their work. I was told that this work is in the collection of MoMA and that they are better known in European collections. This work was from the 80's. I was surprised by the scale(over 10 feet high and at least 20 feet across), and the surreal and serial nature of the work. I had not seen anything quite like it. I will be looking to learn more about this work.


I was really impressed by the show at Postmasters this past year of the young artist, Anthony Goicolea. Aurel Scheibler Gallery (http://www.aurelscheibler.com/) had a larger scale work from that show. It was a standout.


Galerie Anhava from Helsinki had a strong showing you would expect from Helsinki school artists (www.anhava.com). Of particular note for me was the work of Pertti Kekarainen. The series on view was of hallways and glass doorways filled with light and geometric forms. These are "straight" photographs that compel with their formal rigor and luminous aspect. Unlike so much work that I commented on from day one in berlin, this work has the appearance of 3 dimensions while existing in the traditional 2 dimensions of a photo. One can walk into these photos. They may be a little emotionally cool for some tastes, but I like them alot.





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